title



Adorno, Theodor. Minima Moralia: Reflections from a Damaged Life, trans. E.F.N. Jephcott. London: Verso, 2005.
Ahmed, Sara. “The Orient and Other Others” in Queer Phenomenology: Orientations, Objects, Others (N. Carolina: Duke University Press, 2006)
Augé, Marc. Non-Places: Introduction to an Anthropology of Supermodernity. New York: Verso, 1995.
Bataille, Georges. Visions Of Excess Selected Writings 1927-1939, trans. Allan Stoekl. Minnesota: University of Minnesota Press, 1985.
Bush, Susan and Shih, Hsio-yen. Early Chinese Texts on Painting. New York: Columbia University Press, 1985.
Cheng, François. Empty and Full: The Language of Chinese Painting. Boston: Shambhala, 1994.
Groys, Boris. “Under the Gaze of Theory." e-flux, May 2012.
Martin, Agnes. Writings. New York: Distributed Art Pub Incorporated, 2005.
Merton, Thomas. The Way of Chuang Tzu. New York: New Directions Press, 1965.
Nettleton, Taro. "Streetstyle: Skateboarding, Spatial Appropriation, and Dissent" in Post Road Magazine. Issue 08.
Rubenstein, Raphael. “Provisional Painting.” Art In America, May 2009.
Sanchez, Michael. "2011 On Art and Transmission." Art Forum. Summer 2013.
Steyerl, Hito. “In Defense of the Poor Image.” e-flux. November 2009.
Suits, Bernard. The Grasshopper: Games, Life and Utopia. 2005.